It’s commonplace to note that sociopolitical upheaval and artistic experimentation often flourish side by side. But today — despite an alleged “polycrisis” — new modes of cultural production don’t seem to be emerging. Three years after the start of the Covid-19 pandemic and the subsequent George Floyd rebellion, the arts seem stagnant and stubbornly centralized: franchise fare dominates at the box office; literary output is hampered by monopolized publishers; even...
On a recent Sunday afternoon, I was one of nearly a hundred spectators at Film at Lincoln Center’s Walter Reade Theater taking in a program of shorts by the protean Thai filmmaker Apichatpong Weerasethakul. Less than two hours later, I was downtown at Anthology Film Archives for a sold-out screening that played as part of the third edition of Prismatic Ground, a festival devoted to (mostly) new experimental work of...