Senseless Babble

Dean Kissick

So far as I’m aware, nobody in art — and the same goes for the literary scene — is even trying to be avant-garde. Much of the art world is actively and outspokenly opposed to the idea of aesthetic progress or provocation, and has turned backwards, into an arrière-garde. Dead artists, forgotten artists, and traditional mediums and styles are favored exactly because they are implicit rejections of the present and...

Bland Bloodsuckers

Jamie Hood

I’m no maestra of the avant-garde, and consequently, my interest here is in offering neither definitions nor death knells. To mourn the loss of the avant-garde — or to seek the shock of transgressive aesthetics in increasingly arcane crannies — is an evergreen endeavor. As Roland Barthes wrote, “être d’avant-garde, c’est savoir ce qui est mort” (“to be avant-garde is to know that which has died”). And death, too, is...

History Is a Merry-Go-Round

Marta Figlerowicz

One cannot think about the avant-garde without committing oneself to a theory of history. The term “avant-garde” was first applied to art in the early nineteenth century amid the euphoria of Europe’s accelerating technological and cultural domination over the rest of the globe. It became particularly associated with late nineteenth- and early twentieth-century modernism, when European narratives of historical progress — from both the right and the left — pointed...

True Outlaw Music

Alphonse Pierre

In hip-hop, the most powerful voices also tend to be master self-marketers, so when I hear “avant-garde” thrown around in the industry, I get ready to be sold some bullshit. I’ve come to associate the term with a brand: post-Yeezus Kanye West, when white acceptance became his priority, or the Griselda rapper Westside Gunn’s goes-to-a-museum-once music, which equates referencing the “Salvator Mundi” to high art.  Even though the avant-garde label...

On the One Hand

Eugene Lim

On the one hand, I think now is a fine time to despair. Reality television may have been the first nail in the coffin of conceptual art — a shock-and-cringe military strategy that destroyed the institution of consensus reality. That is, it’s always darkest before it gets really really dark. Even as the nets of social media divide us into impotent sports teams, they herd and defang our wild imagination....

New Rules to Break

Liza Batkin

When dancers refer to the avant-garde, they tend, counterintuitively, to mean something old: experimental artists in the 1960s and 1970s in New York, who worked largely out of lofts and Judson Memorial Church. Modern dance, by that point, had moved beyond ballet’s pointe shoes, tilted heads, and sweet violins, but the avant-gardists went further. Yvonne Rainer wrote a manifesto in 1965 that rejected spectacle and virtuosity. Trisha Brown strung unremarkable...

Aesthetics in Purgatory

Gabriel Kuri

It is pretty difficult to say something about the necessity and possibility of radicality — the kind that fueled the avant-garde — that doesn’t sound either scripted or pessimistic. But it cannot be understated that the sustained cohesion necessary to build vanguard movements feels increasingly unlikely; today, the menace of instantaneous visibility seems to promptly unravel artistic intent. The period of germination for anything that thrives on ambiguity, contradiction, or...

That Moment Barely Survived

Lucy Sante

As soon as I understood the concept of an avant-garde, I wanted to be part of it. That was in the late 1960s, when the border between avant-garde and popular culture was at its most porous. At that point, the term referred less to revolutionary art than to art that flaunted a sense of historical progression. Many if not most of the ideas in play dated back to the 1910s,...

A Skeptic at Church

hannah baer

Over the last four years, everyone I know in New York started going to poetry readings. Not occasionally, but all the time. People who aren’t even poets started sharing work at poetry readings regularly (myself included). Notably, there is no particular school of poetics to which the trend adheres. People go, sit, and try to pay attention to whatever is read. Attention is important, because these readings can be dreadfully...

Half Truth and Half Fantasy

Frank Guan

As Baudelaire was quick to note, “avant-garde” was originally a military metaphor — an idiom from the battlefield transposed into the discourse of bohemians longing for some sense of urgency. It’s worth noting, too, that although later avant-gardists rushed to claim him for their own, the poet himself stated that only losers (“minds hardly militant, but made for discipline, in other words conformity, domestic minds, Belgian minds, who can only...