The guide exits the square
as anyone would, drawn by dusk
to the edges of rivers a pulse
erupts, parade of intervals
we could fill pointing to beer drinkers
or the mayflies but either way to sound
a space for our recurrence, where the promise
of the night and the night
coincide tomorrow, if you’ll join us.
I won’t deny I wrote alone
I am a cold metal feather. I think
input not detected
the season changed and with it
throngs, crowds, gatherings
must be somewhere but this bar
is so empty it must be
a beautiful night. Try to remember
what it looked like the first time you
input not detected. I could claw
to that loss, shine a flashlight
on my eyelids just to summon
daylight, but I’d rather not grip
a private image joystick,
content instead to let the breeze
weep through the both of us and spill
this dinner backwards through a funnel
wide spherical lawn where I
could not surmise the coordinates.
You were saying something about a painting
so bad you cowered to be associated with it
but Joe I insist you are only your granular
voice at a table outside where people line up
and you take your time telling us.
Any less vague than this
might strip the night’s fabric
into threads and though we split
for separate homes I keep wafting that pollen
my sinus tectonic input
not detected. Let us go and cross out
our pleasures. The city, after all, is
input not detected, the only wall the sun
can write “The city, after all, is”
on and still avoid explanation,
ignite the smacking concrete of your central
square, an emptiness that chews,
even chokes on cookied fortunes and
turns, your very shoulder the bright incoming
input not detected. After a month or two
we don’t know how to get out of
this night, record spinning too slow
to hear a melody, though its parts
mete the day out, you said addiction’s pendulum
dusk. Any less than the summer
would be us, having just missed its bricks
for the caulking, the very fingering of which
disclosed that input not detected I’ve heard
could be a grip if only you give
it up and let the wind give it
a proper sibilance. These edges
and legs over the ledge at dusk
seem to produce and summarize the season
all at once, our citations rich with light
“the sun was setting…” everyone was sitting
outside I gave this gesture
input not detected a name
and called you over
the light soft as ash
like description filling ovals
with legroom for echoes
a condition of our love
for the city and its input
not detected which becomes us
the periphery
another periphery
clears I could list the colors
but still I think love is
next question
Greg Nissan is the author of The City Is Lush With / Obstructed Views (DoubleCross Press) and the recipient of a 2020 NEA Fellowship to translate Ann Cotten’s Banned! An Epic Poem from the German.